Showing posts with label Tanner Garza. Show all posts
Showing posts with label Tanner Garza. Show all posts

Tuesday, January 14, 2014

Guest Year-End Lists

This is something I've wanted to do for a while mostly to get suggestions of music to listen to, but I figured that if I did that, I may as well share it with people. I asked a bunch of my favorite musicians and music-industry people around if I could get a year-end list from them about their favorite records and other things that happened and here's how it ended up!
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Scott Plant of Broken Prayer


Top 10 for 2013 (not including friends’ bands) 2013 rocked, rolled, noised and funked. This is a list of some of the stuff that affected me most this year. I hesitated to do the reissues because there is SO much good new stuff coming out - anyone who says otherwise is a registered dumb - but then I figured, you know, whatever. There are other lists out there. I tend to like novel production and cool sounds and rhythms, and generally in a bummer or headache producing direction. New Stuff: Wolf Eyes - No Answer - Lower Floors Cold cold beats for a bleak bleak record. This feels less like a sound track and more like a collection of songs than their other records, and it is a triumph. A triumph! They just keep getting better. Listen to it on real speakers and let the sonic volcano wash over you. http://www.youtube.com/watch?v=qbgI-DEk4U4 Mutant Video - Missing Fingers Beats, bass, synth, darkness. Here’s the futility of life put into cassette format. Their final release. http://ironlungpv.bandcamp.com/track/street-lightning Framtid - Defeat of Civilization I’m sure this will make many top 10 lists, as it should. Do you like having your head pummelled in by the kaotic hardcore noise of true distortion madness? You should. It’s for fans of that. http://www.youtube.com/watch?v=-fHRpnvnDrI Reissues: Devo - Hardcore Devo Vol. 1 & 2 Here are the coldest recordings, finally put to vinyl. If you’d like to hear Iggy and the Stooges on the Forbidden Planet, then you will like to hear this collection. Incalculably influential. http://www.youtube.com/watch?v=Fo7bgRMrnZQ Carcass - Reek of Putrefaction A disgusted, disgusting record. Isn’t humanity disgusting? Carcass would agree. http://www.youtube.com/watch?v=WdS9ICBEJEs Funkadelic - Maggot Brain The A side of this record singlehandedly redeems jamming, and has some of the best guitar sounds ever put through a mic. A joyous celebration toward taking down The Man. http://www.youtube.com/watch?v=dh3bleXWaCk Rulebreaker: Daylight Robbery - Distant Shores Just a great, sparse rock band with melodies other bands wish they could craft. They don’t get the attention they deserve in the states, but they do from me, so I’m giving it to them. http://daylightrobbery.bandcamp.com/track/distant-shores

Wednesday, December 25, 2013

Interview with Sound Artist Tanner Garza

The night I finished my year-end list was the night that I first heard Tanner Garza's album Lucid. I had actually been talking to him at the time, and told him that I was finishing the whole thing up. And then I started to feel really awful. The album clearly should have been not only on my list, but in the top five albums of the year. It's Basinski-esque with tape loops and lush ambient arrangements. I now listen to it almost every night when I read before going to bed. It's a hauntingly beautiful anti-anxiety pill.

Tanner Garza is a sound artist who has collaborated with a bunch of incredible noise artists, but is possibly best known as being a part of Texas harsh noise collective Black Leather Jesus, created by Richard Ramirez many moons ago. Tanner's music, though, covers the range of noise music from the harshest to the most soothing to everywhere in between. I have a bunch of his cassette releases and listen to them regularly.

You can check out his recordings on his BANDCAMP and I strongly suggest Lucid as a starting point. You will love it.

Jordan: When did you start making music? How did you know that you wanted to make music?

Tanner Garza: I started making music when I was about 13 years old, but became exposed to experimental music in 2008.
It was never a conscious decision to make music. Just something that came naturally. 

J: Do you do any other artistic activities?

TG: Oh yeah. I enjoy analog photography a whole lot. Especially with the older Polaroids. Something about the aesthetic of it relates to improvised music for me. 

J: How did you know that you wanted to make instrumental/noise music?

TG: Ha. I'm very uncomfortable with my voice even though some say I can sing. Kind of had to default to instrumental music early on because of that and because of a lot of the music I liked at that time in my life. Lot's of instrumental guitar-shred bullshit... I was a teenage metalhead. So, yeah. With experimental music, most of it is "instrumental" in nature.

J: Who all has influenced your work?

TG: Björk, King Crimson, The Marx Bros., Edwin Land, LIGHTS, Brian Eno, Oval (early 90's), Derek Bailey, DJ Screw, Martin Denny, Bruiser Brody, AMK, Damion Romero, MF DOOM, William Basinski, Venetian Snares, Kool Keith, Salvador Dali, Terry Funk, D'Angelo, and the city of Houston.

TG: Probably a lot I'm forgetting.

J: Your solo releases are so varied. You have some more ambient music as well as some harsher music. How do you know what you're going to make?

TG: Eh. It depends on my mood in that moment. In recent times I've gravitated more towards making weird ambient-minimal sort of music. Simply because it seems everyone has a "noise" project. I'd rather be the black sheep in a very cliquish scene. Also, with my involvement in Black Leather Jesus I feel there is very little for me to prove as far as being the most brutal. haha

J: What is the process for making music for you? Do you use any specific program or pieces of equipment?

TG: Early on it involved nothing more than my laptop. Now it revolves around my handbuilt loop cassette tapes, a tascam 4-track, and a few effect pedals. 

J: You’re in Black Leather Jesus, legendary harsh noise group. How did you get involved with that?

TG: Well, I had been attending the noise shows for quite awhile in Houston. Usually kept to myself. One day I approached Richard and asked him if I could play a show. What a nightmare of a performance that was. That was my introduction to a lot of the BLJ members, though. Not just Richard, but Zach, Sean, and Thomas. I became pretty good friends with them after awhile and one day in 2012 I was asked to join the band. Couldn't be happier. 

J: BLJ recently had a kickstarter for a European tour. Can you talk a little bit about that? How did you decide on kickstarter? Who all will go tour?

TG: Of course. It was decided that would be the easiest route to go instead of asking for straight donations. Simply put, all funds gained from the Kickstarter go towards us getting from city to city, meals, places to stay, etc. 

TG: At this moment it's still a bit in the air who all is going. All depends on who can afford it.

J: How often do you get to play live? Does your live set change up as often as your kind of music?

TG: At least once a month here in Houston. 

TG: I learned a long time ago that you don't need a mountain of constantly changing gear to make different sounds. If you can learn your set-up then you can usually pull any sound from it that you want.

J: A lot of your releases are put out on cassette. How did you decide to use that medium of release?

TG: It’s nostalgic, not digital, cheaper to do than vinyl, and it sells better than CD/CDr's. That's about all I can say about that. 

J: You also run a small label. Tell me a little bit about that? How do you know what you will put out on the label?

TG: I run the Bookend Recordings label. Between release I tend to take my time, and am very selective of what I put out. Usually it's invite only, which tends to make some people mad. 

TG: But it's something I do for myself. All funds just go back into making more releases. That's it. 

J: What are some of your favorite musicians/band?

TG: Lately I've been jamming a lot of LIGHTS, Brandi Carlile, BANKS, Poliça, UGK, Astromero, Scott Walker (60's), and Brian McKnight.

J: Are there any local musicians down in Texas that people should know about?

TG: B L A C K I E, Sandy Ewen, and Screwed Anthologies.
J: What are some of the best Mexican food restaurants near where you live?

TG: Lupe Tortilla, Pappasito's Cantina, Ninfa's, Chacho's (Tidwell), and Los Cucos (Spring Cypress). Chacho's has the best salsa selection! NOMNOMNOM

J: Anything else you'd like to say?


TG: Thanks for asking me to be a part of this. Much appreciated.