Showing posts with label Punk Rock. Show all posts
Showing posts with label Punk Rock. Show all posts

Saturday, January 4, 2014

Interview with Craig Lewis: "Punk Rock, Mental Illness, and Recovery"

According to the National Alliance of Mental Illness, one in four adults experiences mental illness in a given year. Mood disorders are the third most common cause of hospitalization in the United States. More than 90% of those who die by suicide had one or more mental illnesses.

When confronted with these facts, it's pretty easy to see just how much of an impact mental illness has on people. Mental Illness occurs in people from all backgrounds and is often impacted by genetics, though outside factors have a strong bearing on mental illness as well. 

It's also really tricky to pin down. A lot of this results from a sort of stigma against mental illness, or maybe more of a fear that one is "crazy" if one deals with mental illness. Many people with mental illness become proficient at hiding it, though that often is a negative reaction as well. It's like you often hear when someone commits suicide. "I had no idea they were feeling like that." It's just about the saddest thing I can think of. There are a lot of ways to get help for mental illness from psychiatric help to therapeutic help. In my opinion, the best way for mental illness to stop being a silent killer is to be more open about it and have an open dialogue.

As a person suffering from depression and panic disorder, I try to be open with my struggle for people to feel like they have an outlet if they know me. That said, I have no certification or even education about how to help people with mental illness, which is where people like Craig Lewis come in.

Craig is a peer specialist from Massachusetts who has suffered from trauma and mental illness for most of his life. He has gone through "a living hell," and come out through the other side of it. In the mid 2000s, he sought help and has been climbing the rungs of wellness through the present. Over the last several years, Craig has begun giving a talk titled "Punk Rock, Mental Illness, and Recovery," through the New England area all the way down to Richmond and as North as Canada. Craig has made it his life mission to help people dealing with trauma, mental illness, and addiction. In addition, he has recently published a mental illness recovery handbook called "Better Days: A Mental Health Recovery Handbook," which can be learned about HERE. I have a copy myself and it has helped me especially with finding worth, which can be an often constant struggle for people with mental illness. The book focuses on introspection as well as reinforcing ways to transcend conflict, something everyone can work on.

I got in contact with Craig after hearing about his talk and knowing that the topic was important to me. Craig is a huge inspiration to me and is doing incredible things. He will be touring and talking through the country this year and hopes to go abroad. For those in the Boston area, Craig will be giving a talk in a few weeks, which you can check out HERE.

Without further ado, Craig Lewis!

Jordan: So tell me a little about how mental illness has affected you and how you decided that it was something you wanted to help other people with.

Craig: Okay, when I was a young child I was put on medication and in and out of therapists’ and psychiatrists’ doors. I was hospitalized at age fourteen. I lived in group homes for three and a half years during my adolescence. I spent much of the time between when I graduated high school and left the group homes in 1991 through the mid to late 2000s often very unhealthy, unstable, due to the drugs I was put on. I wasn’t staying employed. I was experiencing trauma upon trauma living in highly-destructive living situations with people who weren’t very supportive as to what I needed to be healthy and well. Ultimately, I hit rock bottom and faced the ultimatum of either going forward with life or not being on this earth anymore. Out of desperation I found a therapist and began meeting with her regularly. I’ve been with her for seven years. She’s a wonderful wonderful woman who really helped validate me and let me know that the things I was dealing with were legitimate and I had trauma. A lot of what I had to deal with was real, but I had value. After meeting with the therapist in 2005, I sought out vocational counseling and ended up finding a program called the Consumer Provider program where people with mental illness were taught to become Peer Counselors. Due to the program being accredited, I earned a human services certificate from a local community college. It was wonderful because I never in a million years thought that I would have any sort of post high school education. I then continued my education in peer services and became a Peer Services Specialist, which enabled me to do the work I do now, which is as a person whose experiences can help people like me learn ways to manage their difficulties and their struggles. I also ended up getting my associate’s degree and recently graduated with a degree in Human Services. 

Craig: For a while I worked in a group home, but it wasn’t a really good fit as I had spent a lot of time there when I was an adolescent. That program ultimately shut down to budget issues. It will be four years in february when I will celebrate having worked for four years with people who have mental illness, trauma, and addictions. To be honest, this work really chose me. I was at a crossroads in the mid 2000s. Either I could go forward or do nothing. I’m really happy to have been able to eventually get a better handle on things. It was much less something that I chose. I never would have thought I would be a counselor one day.

Jordan: That’s so awesome. So awesome. That makes me really happy. While we’re talking about the genesis of the modern Craig Lewis, if you will, how did you get into punk rock.

Craig: I was a teenager in the late 80s. If you recall the movie “Another State of Mind,” back in the 80s it was played on repeat on the tv. We had cable when I was a kid and I just was always watching this video. It was certainly interesting. I was interested in music from all over the world. I didn’t really differentiate between hardcore or metal, but the underground thing interested me. I got my first copy of Maximum Rock n’ Roll in March of 1988 not really knowing what it was. Later I was put into a mental hospital and there was a punk rocker there. She looked very punk rock and she let me borrow some tapes. Back then it was on a walkman. She let me borrow Black Flag, Dead Kennedys, Circle Jerks. I fell in love with the music right away. I thought that it was exciting and represented my struggle, even though at that point I didn’t really know who I was or what was going on. Life was very scary. Punk rock sort of gave an identity. You looked a little outrageous, but it reflected what was going on. I felt very powerless and was at a psychiatric hospital for adolescents. But the thought came that if I dress more like her, then I can piss people off, which gives me a little more power. I needed to a bit of a rebel because life was so miserable. Punk rock liberated me, but I wasn’t a full out punk rocker until a few years later. I didn’t get to go to a show for a couple years, but I got to listen to the tapes and radio where they sometimes played. Interestingly, in my second group home there were four other punk rockers, skinheads, and we were often listening to Cock Sparrer and the Subhumans.

Jordan: Did you ever keep in contact with the woman who introduced you to punk?

Craig: We lost contact after she left the hospital, but I spoke in Worcester, MA earlier this year and I so wanted to connect with her and let her know that punk rock has really kept me alive. I found her online and it was amazing. I sent her a message and wanted to assert that I didn’t want to make her uncomfortable, but I wanted to let her know I was doing better and was going to speak about my experiences and punk rock. She didn’t respond to me. I think maybe it brought up some bad memories and I haven’t written to her since because clearly she didn’t want to revisit those times in her life.

Jordan: So you’ve been going around and giving this talk “Punk Rock, Mental Illness and Recovery” for a while. Unfortunately, I haven’t been able to see you, but what Sean [Ragon] told me about you - he said it was pretty important to him and I think it’s super important. Can you tell me a little bit about that since I haven’t seen or heard it?

Craig: Yes, first let me tell you that I’m planning on coming to Chicago by the summer as well as much of the rest of the midwest. I’m very excited about it. It’s a funny story how it came about. Most of my adult life people knew me as an unstable, crazy person. People would call me crazy and I don’t like that word, but the reality is that for much of my life I was publicly unhealthy and I had said and done a lot of things. I had pushed people away and a painful reality. It’s hurtful but I know why it happened now. As I started seeing my way to wellness, people were a bit skeptical. People didn’t believe I could be a contributor to society. It’s a process getting people to think that I can be a positive thing now. The only way to convince people, or even assert my honesty was to openly and publicly go through the process. I had an opportunity to do an interview with Maximum Rock n Roll about basically my life in mental illness and punk rock, which was a wonderful opportunity to show that I was changing my life. I’m sure people were surprised. Even today, some people won’t give me a chance. That’s unfortunate, but I’m okay with it. I’ve worked really hard to change the perception of Craig Lewis and I’ve done it the hard way, which is how I do most things to be honest. I have to earn respect and willingness to give me a chance.

Craig: January of 2012 or so…actually maybe it was the end of 2011, some punk rockers were having vegan potlucks and I had heard that at one of their potlucks had a guy named Chris I knew through the punk scene who - it’s kind of awesome - he’s an alien and UFO expert and he appears on those history channel shows about extraterrestrial life. He was giving a presentation at one of his potlucks on that topic. I asked if I could speak at the potluck about Punk Rock, Mental Illness and Recovery, so I had about ten days to write my presentation and it was my first time doing it. I was shaking, but it was empowering! People responded and I said to myself that I needed to do that more. When I spoke, many more people spoke up and didn’t realize that I had been struggling with these issues. And other people talked about their own issues to. So I said “I’m gonna do this! I’m gonna do whatever is necessary in the punk scene to help with mental health.” Unfortunately, in the punk scene, you’re told “Oh, you have a problem, take a drink. Oh, you feel bad? let’s smash stuff. Let’s not get help.” And that really contributed to my suffering all those years. I knew that I could make a difference and help my peers. So after that first presentation in Cambridge, I decided I’d do it in NYC. And a lot of people came out and I work with them on projects now too.

Craig: So I’ve been doing it. I’ve been all over New England and I’m going to Los Angeles and the Bay Area this year. I think I’m going to go international with it. I’ve been able to make it empowering, inspiring, and a motivating force. It’s not always punk rockers anymore. It’s people who work in the health industry and people in the mental illness area. For me, in my life, I think the reason I survived is to make people suffer less.

Jordan: Last question I have about recovery stuff is that I wanted to know more about your book Better Days. I was just flipping through my copy and it’s really awesome. More than anything, it’s a great reminder of things going well. The thing that I’ve taken away the most is finding worth in yourself. So it’s definitely made an impact on me.

Craig: Discovering your self worth. The things you experience are valid and legitimate. Until we can get a handle on our responses to things, all this stuff has to impact our lives and we need to know how they impact us. We’re facing experiences everyday and if we get a better handle on those things, than we can certainly experience more stability, more peace in our daily lives. We do have within ourselves the ability to control and manage how we do things. We all know that when we let ourselves go, when we have no filter, it’s often destructive to our lives. For me, I ended up getting arrested, and relationships ended. All revolving around unnecessary conflict. I actually got kicked out of school once by not knowing how to manage myself.

Craig: Better Days came about from the Consumer Provider Program. As part of getting my certificate, I needed to do a three hundred hour internship and I worked at a rehabilitation center and I had to “leave something behind.” I needed to start something like a group or a project that people could have after I finished. A legacy of sorts. I came up with the idea of doing a support group and called it “Better Days.” People came and it went really well and I kept doing it. I realized that writing and talking a curriculum was very healing to me. What brought me down? What impacted me? That internship came to an end, but at another program, I kept having support groups that had a lot of good results.

Craig: I developed dozens of worksheets and text similar to the book that you have. I realized that I had a body of work and I knew that I needed to put it into a book. Now it’s being used in several places. The sales of the book are growing and I’m having a great time helping. Better Days the recovery workbook gives me worth, meaning, and purpose especially in my wellness and recovery. I’m glad it’s been good for you too.

Jordan: It’s been great. I have really bad anxiety and depression and I have a lot of coping techniques, but they eventually sort of become systems. Sometimes they lose a bit of the personal edge when they are systems that are used a lot. When I was reading your book and going through everything, it made me focus on thinking through stuff. It made me look into my life - what is the purpose of your suffering. I was thinking “oh my, gosh, I’ve never thought of it like that.” It was a foreign thought. This is interesting stuff. At the bare minimum, it’s great to know yourself more.

Craig: Awesome, that’s what the book’s about. How do you want to do things? How did you do things in the past? Did it work? Did it not work? How do you want to do things in the future? Just like you described, you dig deeper within yourself and try to answer the question how do I want to be. You figure out what works for yourself. How can you do things differently? How can I work for change? You use the workbook and then you’re faced with a situation that may have knocked you out of commission for a week or finish in conflict. So then you have the written memory for yourself. You can look and check what your options are and what works. Even when you’re dealing with negativity, it is a positive reminder of how things can go.

Craig: All of these are based off personal experience, like the chapter “Biting Your Tongue”…

Jordan: I loved that one!

Craig: Yeah, that’s my favorite one too. You find yourself in a situation where you can engage in an argument, but maybe that isn’t the best way to go about it. You might think “hold on, I feel really awful, I want to strike, but I know if I do that, even if I’m in the right, I may damage myself and bring myself to anxiety or trauma and feel like crap if I do. Is this going to be helpful? Can I transcend the moment without hurting your life.” It’s one of my favorite ones and whenever I give a presentation, I say something about biting your tongue. It’s so crucially important to my personal life and it reduces destruction to my personal life. I will add though, Jordan, that I’m a very imperfect and flawed person as we all are. And even though I wrote this book on recovery, I still make mistakes and I will always make mistakes. I may be well-equipped to make decisions, but I still make mistakes. When that happens, though, I try to take those experiences and incorporate them into the engine. What can I learn from these things? That’s how I trained my brain to think. I’ve tried to use the Better Days approach in my daily life to increase my wellness habits.

Jordan: So have you found that you’ve become a happier person since going through everything?

Craig: I’ll tell you. I am a happy person. Every day I feel pretty crushing anxiety and I feel pain, My life has been very traumatic and I’m often reminded of things that set me off. Thankfully, I’m very aware of what goes on and how my brain works. Often something will and I’ll realize how it’s impacting what I feel. My coping skills can help me feel better. I do often succeed at doing that, but I fail sometimes too.

Craig and his cat Max!
Craig: To answer your question, I’m much better. Better Days is basically the process of how I got better. I do have my moments. I do have my struggle. Every day is a struggle without a doubt, but I’m learning how to manage and get through stuff. Those situations that come up that are considered unfortunate can become examples of how to be more helpful and happy.

Craig: I’ve been through hell. There’s a lot more of my experiences that we haven’t talked about here and that’s fine, but I have gone through a living hell in life as many have and I have learned without any hesitation that I am grateful for my experiences. Without every experience, I wouldn’t be who I am today. They were necessary for me. I embrace it all. Life’s not perfect. Life’s difficult, but I embrace that struggle and I try to come out the other end better than when I went in. If I can find value in a struggle and allow myself to grow, the feeling of contentment from transcending a moment of crisis is incredible. That’s how I do it. That’s how I feel that wellness or satisfaction from growing through those situations. I try to suggest to people with whom I speak trying to find ways to improve.

Jordan: That’s inspring! Those are all the mental illness questions I have. The next question is purely selfish, as I’m always looking for new stuff to hear. What have you been listening to lately?

Craig: Haha. great. One of my favorite labels is from France. I can send you a link, but it’s called  Tian An Men 89 Records. He travels the worlds and does relief work. When he’s at these countries, he finds these bands from places like India that just excite me. I’ve been listening to a comp LP from India called “Disenfranchising India” with punk bands. A lot of these bands have been influenced by grunge too. I also got a comp called “Chaos in Morocco.” I’ve been loving that.

Craig: I also really like Diana Ross and a band from the UK called Burnt Cross who are an anarchy-punk band that I like a lot. 

Craig: I do a fanzine and write about bands from around the world. I’m obsessed with bands from around the world. The only country in South America that I don’t have music from is French Guiana. That tells you a little about how interested I am into international music. I find so much excitement in new music. I’m in love with punk rock, metal, hardcore. I can’t live without music. I have tons and tons of music and it’s one of the things that’s kept me alive.

Friday, August 31, 2012

Interview with Alex from Running

Cover Art for Running's First Record

Ariel Pink may be my favorite songwriter of all time. It's between him and Tom Waits - put Kurt Cobain there too...aw hell, ok, Bjork can come too. The point about Ariel Pink, and the rest of those musicians, is that they come from a long line of history, most of which results from some sort of Blues derivative, even though for Bjork and Ariel, it may seem a bit less bluesy. Ariel Pink writes really really poppy songs - poppy not in the sense of Rihanna vs. Chris Brown, but in the sense of the good ol' days, like if Tom Petty did a lot more mushrooms and Bruce Springsteen sang about gender change, all the while Kraftwerk is dancing on the recording device. That's a terrible comparison. I'm just having fun.

The point here is that Ariel Pink worked with a lot of different people early on, most visibly John Maus, synthpop savant extraordinaire, and Geneva Jacuzzi, a brunette pixie who appears in Pink's newest Video "Only in my Dreams." A little bit less known is Gary War, who I saw at the empty bottle last week. Before Mr. War emerged onstage, however, a little band called Running played and they blew my mind. I don't know if I've ever seen drums played as hard as Alejandro plays. Jeff, the guitarist, hunches over with a classic sneer and eyes the crowd and the singer. And then Matthew, vocalist and bassist, gives his everything as he is carried away by the tubthumping rhythm of his bass.

I had to get to know these guys so I approached them and asked for an interview and they were kind enough to give me one. I also picked up their awesomely-titled Asshole Savant. It's a one-sided 12" with an etching that comes with a flexidisc, making for one hell of an odd package. I loved it. It sounds awesome. A lot like their live show.



A Live Show
You can pick up their earliest release at THE PERMANENT RECORDS WEBSITE. You can also check out their record Asshole Savant HERE And this is their Website - there isn't much on it.

Jordan: Who all is in the band Running and how did you guys meet each other?

Alex: Jeff, Matt, and Alejandro. 3 guys. We met here in Chicago, met Jeff hanging out around town, met Matt in some dark bleak corner.  Running started in 2009, August for sure. Our relationship blossomed right away

J: When did you first come up with the idea of being in a band together? Had you guys been in bands together or bands in general? 

A: Possibly when some Wolf Guys were playing some flutes made out of toilet parts at the now defunct Mopery, then Matt slurred the words let's start a hardcore band and i said fuck yeah homey. We had never played music together. Then, same week I saw Jeff, he looked very tired, and I asked him, how about you and me in a punk rock band?

He nodded, he was in. We jammed, he busted out that heroin-skronk guitar tone--we were all in love.

J: How important is the music scene in Chicago to the band? Have you guys always been here?

A: Running is a Chicago band--a sweet place to be. People are supporting, friends play killer jams, you chill. Love the many gigs at weird basements, creative spaces, and other wacky places. 

J: What do you all do when you aren't making or playing music?

A: For Internal Revenue Service reasons we cannot disclose that information, we are fully, and legally employed. 
Running works but fuck it, I'll tell you everything. Matthew is the CEO of a multi media empire known as Priority Male ®, Jeff and I just count wads money and gamble other people's money and homes all day at the Chicago Board of Trade. Do you PayPal?

J: What is the process like for making a song with you guys? Do you have set times in which you're specifically "writing" a song, or does it kind of just end up happening?

A: We get drunk, and bang some instant classics, recorded on an phone. Its simple, Running pays the rent for a space, our instruments live there. 

Asshole Savant Cover
Personally, I just listen to The Fall, I hate everything else, and I rip off their drums, often, very often, but its just like their old fuck M.E.S. stealing all kind of tunes--and making them better, of course.

J: Do you ever have to consider the label that you're working with in order to come up with a product, or do you take a mostly finished idea to someone when you want them to put it out?

A: We typically put together a recording and know who we need to hit to find out if it can be released. Permanent Records picked up the first one, and I think it happened when their minds were blown when they connected the dots that their pals Matt, Jeff and I were Running and knew each other...WOW! Liz loved #1 Dad (a Running song, the slowest and longest), so I knew they were giddy about releasing that slab. They released our first piece of wax, with beautiful art made by a machine, depicting Chicago's grid, definitively a wolf in sheep clothes. Then when CAPTCHA honcho's Mr. Funke asked us to release something, we knew about his roster of bands and got pretty excited. He also experienced the excruciating pain of dealing with Running making an art statement on wax, kindly baptized Asshole Savant.  We had the songs, took them to a studio, Cooper from Cave manning the board, Asshole Savant was born. Funke paid the bill, it was that simple.

J: How did you arrive at your present sound? Is it a conscious thing as well, or did it just happen because of noises that you all enjoy?

A: Naturally, we play loud, to make sure we are effective at ignoring the sounds of our own tormenting thoughts, you know, about life in general in this mundane world, paying the bills, drinking pale ales, skeletons biting bird's asses, common things. I enjoy harsh damaged sounds, and Jeff delivers then pretty well as I've seen tweakers looking even weirder than their regular selves during a Running set. 

J: How would you say that one of your records translates into a live show?

A: Personally I like the live shows because people smoke me out and i get free drinks.  Live is where is at for me but Running on record is the awesomest shit i've ever done. I have played in other bands and I have never listened to my own shit as much as I listened to Asshole Savant. I stare at it constantly. Running sounds like the record, and the record sounds a lot like Running think its sounds live. 

J: What makes a good show for you guys in addition to free beer and getting paid?

A: People getting wasted, buying our record and leaving it behind at the pisser. Girlfriends telling their boyfriends: What have you done with your life? Why aren't you in Running? Pass ME the CornNuts ®

J: What are some upcoming shows of yours that we can look forward to?

A: Good question! November 8th with Cave at the Hideout (I think) kick off show for the Cave/Running tour 2012. 
Maybe somewhere before that, just google Running for more information. 

NOVEMBER
8 - Chicago, IL @ Hideout
9 - Cleveland, OH @ Happy Dog
10 - TBA 
11 - Easthampton, MA @ Flywheel
12 - Boston, MA @ Great Scotts w/ People of the North
13 - New York, NY @ Mercury Lounge w/ White Hills
14 - Brooklyn, NY @ Kent 385
15 - Philadelphia, PA @ Johnny Brendas w/ Purling Hiss
16 - Pittsburgh PA @ 6119
17 - Columbus, OH @ Double Happiness
18 - Detroit, MI @ TBA

J: Are any of you guys actual runners, or is the name just something you thought was cool?

A: Frankly we do not remember why we are called Running. My dad was a runner, a marathon man, he had a bunch of trophies, I made "smoking devices" out of them. I would love to teach a workshop on that, 2 week internship. 

J: What can we look forward to in the future of Running's output?

A: Expect more tapes and bullshit gimmicks we'll be peddling at shows but, if you want less uncertainty in your future, do not fret,Running is excited about this Castle Face release.. GROUP FLEX II - SON OF FLEX is almost ready to go. This playable flexi book features new and exclusive tracks from Warm Soda, Thee Oh Sees, Ty Segall, Mikal Cronin, The Mallard, Running, The Fresh & Onlys, Kelly Stoltz, White Fence, Blasted Canyons, Sic Alps, and Burnt Ones. It's going to be see through, and kinda 3D, and awesome, so get ready. Joe Roberts did the art and it's insane and we should be doing presales once we're a little closer to getting it made but we're really excited and wanted to get some details in people's brains.

Tuesday, April 17, 2012

Interview with Daniel Lupton from Sorry State Records


Sorry State Records Logo

Sorry State Records is one of the premier punk rock labels in the country at this point, though it seems to have miraculously been started simply in the right place at the right time.  Daniel Lupton, the brains behind SSR, believes that he released his first 7" in 2004 and has since released about fifty records.  The bands at Sorry State are largely punk-rock based but vary from there a lot.  Some of the best known bands from there are Double Negative (Raleigh Punk Royalty), Libyans (a poetically-sound hardcore band from Boston) and Whatever Brains (one the triangle areas staples in new music).  And these bands are all completely different.  Listening to Whatever Brains is kind of like being in that weird tunnel in Willy Wonka's Chocolate Factory if the chocolate were all LSD.  The members of Double Negative have been floating around in hardcore bands for a long time and have a straight up balls-to-the-wall punk rock show that is transcendent. I've never seen Libyans live, but they're more melodic, crafting punk songs shouted by a wonderful frontwoman.  The only thing these bands have in common is that they're released on Sorry State Records.


Double Negative Logo

Recently, Sorry State released 2 killer LPs (I mean, these suckers are glued to my turntable).  Joint Damage released their album "Strike Gently" earlier this year and Stripmines released "Crimes of Dispassion."  These are absolute modern classics.  They're both fun North Carolina bands that wax and wane to a unique emotional spectrum.  Fucking smart.  The Joint Damage LP has a bit of controversy following it, as a "Juggalo Rap" group was named the same thing and issued a cease and desist to the band.  It's ludicrous!  On the back of the Joint D/ album (they had to change their name), we understand the reason for this lawsuit.  "As a juggalo...I found it an anti-juggalo record" says one of the members of clown rap group Joint Damage.  That thing had me cracking up for days.  The LP comes with the letter of the cease and desist order.
The albums are also always really cheap and come in sweet packaging.  The Double Negative "Daydreamnation" LP is a shiny dude with lyric sheets and a sweet logo.  These records can be found all over the place from The Sorry State Website to local record shops like All Day Records and Bull City Records.
I was pretty curious about the record label and e-mailed Daniel Lupton about it before we settled on a time we could talk about his vision and record label.  Daniel had a lot of good things to say about his view on punk rock, the triangle area, and the creative process in music and music marketing.
Jordan:  So, Daniel, when did you end up starting Sorry State Records and how did you know that you wanted to release punk music?
Daniel Behind Ketchup, Milk, and Water
Daniel:  I think the label started in 2004.  A lot of people have asked me that lately and I’ve been meaning to check, but that’s my best guess.  As far as punk music goes, it’s kind of the only music I’ve been super interested in.  I like plenty kinds of music, but most of my favorite music ever comes back to punk.  I’ve been both influenced by officially punk bands or bands that have the punk ethos.  It’s really the world I know from going to shows, making friends, and being part of the scene.
Jordan:  Which bands in particular have formed your opinion on punk?
Daniel:  The band from when I was a kid was Minor Threat more than anything.  I think I got the CD with all of their stuff on it when I was around fourteen years old.  It was one of the first punk albums I got and it blew my mind.  I was straight edge for years and years pretty much because of that record.  So much about it.  And as I started reading about it, the whole Dischord attitude of being fair to bands and the punk scene being big, productive, and revolutionary, rather than something  to consume or being the stereotypical nihilistic punk.  I was an art kid and that whole ethos was immediately attractive to me.
Jordan:  So what would you say Punk’s role is now in terms of the spectrum of bands with positive qualities or, like you said, the more nihilistic version?
Daniel:  There’s always bands with different people and I definitely have a healthy appreciation for the more nihilistic end of it; bands like Black Flag and the Germs that are darker and scarier, and there are still people who push that angle and there are still people who push the positive and productive angle.  I think there’s room for both and punk has that dynamic where the two poles play off of each other and I think that’s why it’s remained vital.  Either of those takes would get stale on their own if they were left to just grow, but there’s always the push and pull between those two founding tenants of punk.
Jordan:  So, in the case of Sorry State Records, do you find that you release one version of punk music more than the other?
Libyans -  A Common Place (Cover)
Daniel:  No, I think my tastes are pretty wide and the label is often a reflection of what I like and am interested in so there are bands like Shards who are this drug-fueled, nihilistic mess, really.  Then there are bands like Libyans who are composed, poetic, and thoughtful in a way that I think a lot of people don’t associate with punk.  Frankly, either of those things can catch my ear and I think as long as I’m putting out records, I’ll be pulling from everything that punk is, and punk is really just about anything when you get down to it.
Jordan:  Are most of the bands whose records Sorry State puts out from North Carolina?
Daniel:  I don’t know what the percentage is, but it’s close to half and half at this point.  I think I’m kind of the default punk label if you’re in North Carolina.  A lot of bands will send me a demo.  This comes from a lot of different experiences, like touring with my own band, getting to know people, even from all over the world.  A couple of our bands are from Sweden.  We have one band from Japan. But I like that punk is fiercely local.  There’s a lot of hometown pride and I’m incredibly proud of what we have in North Carolina, but I want to also use this global connection.  Basically, any moderately sized city in the world, I can have loads of fun and someone to hang out with and drink a beer with.  I think all of those things are great.
Jordan:  The Whatever Brains in particular seem like a totally different band than the typical punk-sound.  How did you get connected with those guys?
Daniel:  Actually, I wanted to put out their first record.  They started playing shows and I immediately loved them.  I basically said if they ever wanted, then the door was open: if you need anything, I’ll do it.  I put out the Crossed Eyes’ 7”, which has members of Whatever Brains, which was garage, but I think at the beginning, I think at first they thought they would get labeled as a hardcore band, not that anyone who listens to five seconds of their music would ever do such a thing, but they didn’t want to go that standard route.  I don’t know what changed but, if I remember correctly, their fourth 7” was coming out and their label was needing some money and very last minute, they proposed doing this release and I basically helped pay their pressing plant and they slapped my logo on the back of the record and sent me a couple hundred copies.  That went really well.  I don’t know if that got rid of the band’s reservations, but now they record something and send it to me.  I’m on the band’s listserv and I get the demos when they send it right out.  I just loved that band from minute one.
Daniel:   I think a lot of the retro-hardcore scene has lost a lot of its energy in the past couple years and I was definitely caught up with that, and I was in a band called Cross Laws and our goal was to make music like it was 1982 and we never heard a record after that.  I think that puts you in a corner and after a couple years of that, we got bored.  I think that a lot of people start like that and get better at their instruments and decide they want to write a song instead of an explosion and it’s a natural progression.  I think when you look at the history of punk, there are times when everyone coalesces around the same idea, like the ’77 punk scene in Britain or the early 80’s hardcore scene.  There are times when there’s an excitement around a certain idea, and then there are times when people start to value creativity and artistic ambition, rather than fulfilling a template, like post-punk or the 90’s hardcore scene, and I think it’s a natural dynamic when you go through a cycle.  I really love them both.  I like feeling like I’m part of something that everyone’s on board with.  But I’m also an art person at heart and I love to see people being ambitious aesthetically.  I like that too and I’m glad I have a label that can handle those changes and I’m excited about the bands we  have and what they sound like.
Jordan:  Have you always been located in the triangle area while you’ve had this label?
Daniel:  Yeah.  I grew up in Virginia and went to college in Richmond and moved early to Chapel Hill in 2002.  I started the label around 2004.  I remember sending off the order for the first 7” in my apartment and getting the record in the mail shortly after I knew how.  It’s been a North Carolina thing from the beginning.  And that was part of the name too.  The first 7” I put out was by this band Direct Control and they were based in Richmond, but all three were from North Carolina.  And it seemed like we were all saying “Hey, we’re all from the same Sorry State.”  There wasn’t a lot going on at the time, so it was a little bit of a pun.  Now it’s not like that at all.  There’s tons going on.
Jordan:  What has the expansion of the label been like?
Daniel:  It’s been really organic.  I put out a record, then sold those records, then the money came back and then I put out another record.  It goes on and on.  There have been times when I’ve got a little ahead of myself.  Last summer I put out, I think, four LP’s and 2 7”s at once, which was completely obscene.  I didn’t really have the money and found some way to scrape it all together somehow.  But there have been times when I’ve had to push further to expand a bit more, but really it’s been totally organic.  Since I’ve made the label into a proper business and registered with the state and started paying taxes, I’ve been reading about business a bit and it seems like I’ve actually done it in a smart way.  Measured growth and not doing more than I should at any given time.
Jordan:  So how does the distribution fit into the whole scheme of everything?  Do you only distribute your own records?
Brain Flannel Live
Daniel:  I have hundreds of hundreds of records that I carry.  That end of things kind of supports the label.  If you just did a label and didn’t also distribute other records or trade with other labels, it would be really hard to make that financially viable.  It’s cash-intensive.  You press a record for 500 copies and send out 300 or 400 copies to distributors and that money doesn’t come back, at the very least, for months and months and months.  So distributing records and trading in small quantities with labels keeps money flowing through the bank account and it actually is kind of profitable, whereas just releasing records is, at best, a break-even proposition and usually not even that.  It’s also cool just having a ton of packages sitting on my porch every day when I get home and I’m able to see what’s happening with new music.  If I’m curious about a band, it isn’t like I’m spending $15 to order that LP; instead, I’m just thinking that I’ll order 5 copies from the label and listen to a copy.  If I like it, I may take it and if not, I’ll just sell all 5.
Jordan:  Yeah, today, when I was getting done with my day, I had Maximum Rock N Roll sitting on my porch and it was a godsend.  I just needed it.
Daniel:  Yeah, I got mine yesterday and definitely just sat on the porch and read it (laughs)
Jordan:  Exactly!  So, something that I’ve been cracking up about a lot recently has been the Joint Damage thing with the lawsuit.  Can you talk about that at all or is that something you’d rather brush under the rug?
Joint Damage - Strike Gently
Daniel:  It’s just sort of a bummer.  This band who, from everything I can see, thought of the cease and desist order seems to have the emotional intelligence of a three-year-old and whenever he comments on my facebook page or the label’s, I just think that he’s just making himself look like a complete idiot, and I never say anything because the person’s doing a just fine job of making himself look (pause) stupid.  Really, I just want the whole thing to go away.  It sucks because they threatened me with a lawsuit and I don’t even have the money to fight a lawsuit.  That’s the thing.  When someone does this to you, it’s going to be thousands of dollars right away.  If they win the case or not.  Just the threat of it is enough.  I had a lot of sleepless nights and grinding of teeth, but I haven’t heard anything about it for a while.  We changed the band name and did what we needed to do so hopefully people don’t keep harassing that band on their facebook page and people will forget about it.
Jordan:  Do you find that you have to stick your name out for your bands a lot of the time or does stuff like this just not really happen?
Daniel:  I know at least one person well from pretty much every band on the label and if there is ever someone in a band that I don’t want to work with, I just won’t put out a record for them.  Stuff like the Joint Damage situation doesn’t really happen and even this wasn’t Joint Damage’s fault.  Who looks up to see if someone has a band with the same name?  Who cares?  There are probably 15 bands named Double Negative and 10 named Shards.  When I first got the letter and called the guys in Joint Damage and said “I wish I could be totally punk with this and say ‘Fuck you,’ and fight this, but I can’t afford it.  I don’t have time and I can’t hire a lawyer”  Fortunately, I’ve never been in this kind of situation and hopefully they don’t come around very often because it wasn’t fun.
Jordan:  Do a lot of bands on your label have a lot of crossover in terms of people being in multiple bands either on your label or elsewhere?
Daniel:  Yeah, it’s a bit of both.  It’s a natural cycle of bands at one sense.  I know the same thing happened with Crossed Eyes morphing into Whatever Brains.  My old band Cross Laws turned into Devour and now we’re not playing anymore and we’re all in different bands.  Really, I’ve put out around 50 records at this point and it seems like it’s been permutations of about a dozen or fifteen people, especially if you look at the North Carolina people.  These are the people who are on the same wavelength and it seems like we’ve almost grown up together or at least have the same reference points. They just do what they’re trying to do and I respect that.  I’m happy to just stick with this and the people I have and know what I’m getting from a personal angle in terms of commitment and morality even.  I know they’re ambitious and know that they’re going to blow my mind every time.  Seems like I’ve just developed a bunch of great relationships and I’m really lucky.
Double Negative's Scott Having Fun With His Friends
Jordan:  Does live music affect your business at all?  What are the effects of a band on your label wanting to do more shows?
Daniel:  I don’t ask bands to do anything.  In terms of live shows, it can make a difference.  If I know that a band is going to do a lot of touring, I know that the band is going to help get the word out about their record and I know that I need more copies.  At the same time, for instance, Joint Damage plays Charlotte, Raleigh and Atlanta and I think that’s probably all the three cities they’ve played and it’s probably not going to change.  It affects me in the sense that I only press 300 records with a pretty high wholesale price and I’ve almost sold all of them already.  Some bands love to tour, but some bands don’t.  It may affect how many records I press or whether I am into doing super deluxe packaging, but I don’t really care (laughs).  Bands can tour or not, but I still get to see bands that are close by, so that’s what I really care about.
Jordan:  Can you say anything about releases for Record Store Day?
Whatever Brains LP 2 Cover
Daniel:  This year was my first one.  It’s a limited Whatever Brains record.  I had the idea to do it about six weeks ago or something and quickly e-mailed the pressing plant to see if I could get the records on time.  They’re showing up tomorrow (April 17, 2012) and Record Store Day is Saturday.  I just got it in the nick of time.  I e-mailed the Whatever Brains and they recorded the song that night.  Then they had some odds and ends and outtakes that they used for the rest of the EP.  It’s a cool thing to do.  For the first six or seven years of the label existence, there was no local attention.  The tightknit hardcore scene bought our records but no record stores sold my stuff.  SchoolKids never took my stuff.  CD Alley didn’t.  Chaz of Bull City Records was the only person who was super supportive from Day 1.  Besides that, people didn’t care.  But then Bryan C. Reed started writing for the Independent and wrote about Sorry State releases and shows and I had this big show two years ago when the Libyans came down from Boston and I did a big show for them.  The Independent wrote about that and there was a big crowd and I put out limited records and tote bags.  Then I did the Whatever Brains record and they’re such a big local band.  So Sorry State’s on the radar now and people have heard of the label.  It’s strange to meet people who aren’t a punk or local who have these records that we’ve put out. People will say “Oh, I have that Double Negative LP” or “I have that Whatever Brains LP.”  That’s super weird to me and I used to be distrustful and even scared about it, but since that happened, it allowed the label to get bigger.  All Day Records has been extremely supportive.  The Whatever Brains and Brain F (Brain Flannel) have become local phenomena.  They’ve sold tons of those records and really personally recommended them to people.  I wanted to do something to say thanks.  So the Whatever Brains record is only available in North Carolina and Virginia record stores.  The idea was just to make local people excited and get out to the stores.  We’ll see how it goes.  I just hope the stores all sell them.
Jordan:  Yeah, I’ll definitely be picking that one up.  I got on the Sorry State train last year because Chaz basically played Double Negative and Libyans for me and they blew my mind and he was like “yeah, this is a local label.”
Daniel:  Awesome!  (Laughs) Yeah, Chaz is the best.
Jordan:  So what can we expect for the future of Sorry State?
Daniel:  I don’t know.  I’m just taking it one day at a time.  Right now I have a pretty solid roster of bands.  I basically put out a record and by the time I’m ready to put out a second record, the next band has recorded one for me, so I’m pretty settled in the cycle.  Next month I have Bukkake Boys, Double Negative, and the new Whatever Brains LP and after that a bunch of bands are starting to record like Manipulation are starting an LP, Dark Ages are starting on a new LP, and this one new band.  I keep telling myself I won’t put out something by a new band, but there’s this new band called Broken Prayer and they’re from Chicago and I’m putting out an LP from them and it’s just awesome.  It’s sort of like hardcore mixed with postpunk mixed with synths.  I don’t know if you’ve heard that Total Control yet?
Jordan:  I love that album!  (I’m actually interviewing them later)
Daniel:  Yeah, this sounds like Total Control mixed with early 80’s hardcore.  It would have a hard time picturing that in my mind what that means, but they’re doing it and it sounds original and exciting. So every day I’m just waiting and hoping they send me rough mixes, but they haven’t yet.  I’m going to keep putting out records and get better at selling them and not losing money, but, you know, I’m doing my best.  (Laughs)
Jordan:  Nice!  Any last words for the interview?
Daniel:  Yeah, I just want to say thanks.  Yeah, it’s awesome to have people doing stuff like this locally.  It gets me excited